International music reviews

If you love the film the music that goes with it makes building U Boat models just that much more fun as well as reading books about the subject.It's like a sound track for U Boat books.

I fell in love with the Das Boot movie and soon after, the hard-to-get soundtrack. It brings the magic of the movie to my car or Discman anywhere I go. Thank you SO much!

To satisfy one reviewer's disappointment, the original "J'attendrai" and "Tipperary" songs are available at the following site: http://www.schiffsmodelle.via.t-online.de/download.html. They should've been included on the soundtrack, but I hope this helps. This fills a BIG gap in completing the total magic of Das Boot. Best to you!

This is, of course, the soundtrack to the greatest submarine movie ever made, but it is also a good soundtrack to Silent Hunter 2, which will probably be the greatest WW2 submarine simulation game ever made.

The CD in itself is good, but does not include "Tipperary" as sung by the Red Army Chorus and which provides a memorable moment in the film.

-Tom

I love this film score but didn't want to pay the ridiculous import price of $42.99 for the cd so I went to Itunes and got it for $9.90. I have never heard the US version of this soundtrack but from what I have read here at amazon they obviously made changes for the US release. This German release adds 2 songs for a total of 17 songs over the US release which only has 15 songs. The only other thing the US release has that this German release doesn't have is the Limahl song Neverending story but thats widely available on several different 80's compilations. I think Klaus Doldinger did a wonderful job on this soundtrack 5 stars are you kidding at least a 1,000 for this magical film score. The German title is called Die Unendliche Geschichte.

I first purchased the american version and liked it alot, but once i found out that there was another one, i had to have it. i searched amazon and found it, but was quite upset about the price, so i looked around, and everywhere was about the same. so i didnt buy it for a while, then my cousin gave me a novel idea: check i tunes. so i did, and there it was, only $9.99! i immidiatly baught it, and i am so satisfied! all of the music is instrumental, and it is all very moving. the thing people might not like is that the song "The Neverending Story" sung by limmahl (or whatever his name is) is not on this soundtrack. the other thing that people might not like is that it is only about 40 minutes long. but, in my opinion, the music makes it all worth it. and the i tunes price is unbeatable if you can burn the cd yourself!

Honestly, until today, reading over other reviews of this music, I had no idea that so many people felt the way I do about The Neverending Story. Among one of my earliest memories is going to see it in the theatres with my dad and my brother, and I truly believe that it shaped a part of who I am today. The music is unbelievably beautiful, and the story is timeless. My one complaint is that the Theme of Sadness and the Ivory Tower are left off of this CD, and they are my favorite pieces. However, the new music is still gorgeous (and leaves me wondering why there are, musically, two versions of scenes like the flight to the Ivory Tower). But, I just ordered the other soundtrack, so I'm sure I'll be fine.

If you are a fan of beautiful music, then there is absolutely no way to do without this soundtrack. Whatever Klaus Doldinger is doing, I hope he plans on giving us more of his genius someday.

Vico C is the most conscious Latin rapper that exists. Also, his music is slamming! Every track on EMBOSCADA is a great song to me. No hay ninguna que no me hacer sentir bien de una forma u otra. "Superheroe" speaks to the kid in all of us and tells us who is the true super hero. But why, VICO? Why did you preach and teach of the dangers of this society and then become one of the bad guys? Why on the track "La Nina Modelo" did you preach that sniffing cocaine is bad and then you got arrested TWICE in 2003 for doing the same thing? Did you take my hard-earned money that I used to buy your CD para comprar la coca? Lo hiciste, 'mano? I didn't buy the bootleg, so I know that some of the money went directly to you. Wasn't the admiration from your fans and the cheers enough to get you high as a kite? What makes it so bad is that I didn't believe them when they told me that Vico had been arrested for drugs. I kept on rocking the CD, living the alive lyrics that only Vico can lay down. It was only until I read a news report myself that I was forced to smell the coffee. With the sugar Vico put into the mix, it makes the coffee stink. After putting out what I consider the best CD ever (EMBOSCADA), Vico C's lifestyle has left a bad taste in my mouth. BR>I guess the next album will explain why he traded heaven for the white crystals of earthly hell. Be strong Vico!!
Yo se que no has cometido the unforgivable sin. No soy perfecto yo tampoco...

Un magn�fico trabajo, donde se puede observar el don de DIOS y el talento que solo DIOS puede dar.

Gracias VICO por este gran aporte a nuestras vidas TU MUSICA es FABULOSA y no importa lo que pase DIOS est� contigo y JAMAS TE ABANDONARA.

PORQUE SIETE VECES CAE EL JUSTO Y VUELVE A LEVANTARSE; (Pr. 24.16)

In this album ( just like all the other Vico C's albums ) the thing that stands out it's the lyrics. I'm bilingual and i feel that it's really sad that the people in the U.S don't get his positive message and it's influence on values and principles that english rap doesn't speak much ( more like NOT AT ALL ). He's not about the bling bling, girls and cars. He's all about the peace and the self improvement analyzing the problems that he himself has experienced and the one of others. He has the "feeling" that nowadays you don't see in american music in general. And you would think that after so many albums his quality would decrease. The only think that i didn't like was that it was only 11 tracks. Yet , each one it's special and unique.

I have bought all his albums, both Italian and Spanish. It is very sad that he is not well known in the States. He is very famous in Europe and Latin America. He sounds great in Italian and Spanish. Dont let nobody tell you otherwise, Italian and Spanish are both romance languages. With the exception of the first and second album, he translates his own songs almost literally. If you dont know Spanish, buy the Italian version because you wont notice much difference at all.

I discovered Eros purely by chance when he did a duet with Andrea Bocelli. Once I heard him I was hooked, and started buying ALL his albums! Steer clear of his Spanish version albums though. He and his lyrics were meant to be heard in Italian.[even if you don't speak it] For those of you that sample his older albums, be on the look out for a tune called Taxi Story .. Cher's handlers ripped it off, changed the arrangement and words.. and called it Taxi Taxi, without ever giving album credits to Eros or the songwriters.

This live CD is excellent! Everyone needs to buy this one, even if you don't know Eros, give it a try, you'll LOVE it! His music is so spectacular, ... the only problem is if you buy one of his CD's ... you'll end up buying ALL of them! (Like me! ;)

I couldn't agree more with the other reviewers - this is the ultimate Evita recording. I love Patti and Mandy but the softness and beauty of these arrangements make this the best version of this show. I would have died to have seen it!!! Hang the expense! If you love Evita, you will love this.

Since the first moment it was adapted from the English version, its genuine Latin sounds as a result and the powerful interpretation of all artists involved, has made this the best Evita interpretation so far. Superior by far...and a classic.

Hacia tiempo que llevaba buscando este disco y por fin lo encontr�. Me encanta.

This makes me feel good. Smile on your face with Spam All Stars.

Aye, c*no...esto es verdad. This is the sho-nuff greasy dripping stuff. I mean it's for real, ya dig? Ain't no mistake about it...plus, anybody, and I mean anybody who uses samples from the comedy of Alvarez Guedes is already doing something right. But, truth be known, I've been catching these guys live at their Fuacta show at Hoy Como Ayer for longer than I care to admit. Then came Jazid shows, I/O shows, other misc. shows, what have you. Bottom line, if they are playing in Miami, I'm there. Even been up to NYC and caught them there.

But you got it all here. You got the funky salsa soul of Azuquita a la "Pura Salsa" (check out "Guarjio Bacan" and tell me I'm lyin'). You got the groove of Joe Bataan before he committed blasphemy with disco-horror. You got the dripping grease of Willie Bobo, funkiness of Lebron Brothers, Patato, Candido, Tito Puente in his (Pa'lante Straight days), etc. Brothers/sisters you got more here than I can even say. Then you got some good ol' as* bumpin' Miami Bass and groove. It don't get no better nowheres.

Finally, brother John...gotta say this. Those of you see that review down below by John Speck? Well cats/kittens, know this...he be the 'bone player for this outfit. So, that let's you know where he might be coming from. Also does a thing or two with his own outfit called Bacon Bits, but he's a dam* fine member of this group and an equally fine 'bone player. But, just wanted to let it be known since he didn't see fit to disclose it himself.

Get this now...plus, if you hadn't already known, you'll get introduced to the MAGNIFICENT artwork of LEBO...also present on the Vida Blue release which these boys joined in on. Check out LEBO's work elsewhere (like his website for instance) and tell me you won't get addicted.

Enjoy.

If you like music...get this cd. If you like to dance...get this cd. If you are a dj...get this cd....

This is one of my all-time favorite CD's. You can't help but move. I've slipped this on at parties and watched people as they start to dance without even being aware of it. I can't recommend it highly enough.

In 1995, Alanis Morissette released her debut album "Jagged Little Pill." At first the album was a slow-burner debuting at No.117 in its first week and sold a few hundred thousand copies. A month later it was in the Top 10 and it debuted at No.1 in September two months after its debut. As the months went by though, the album picked up speed and began selling considerably well. When the first single from the album, "You Oughta Know," debuted on radios and MTV stations across the world, I think about 98% of the global population stopped dead in their tracks and stood in awe at this angst-ridden vixen whine to us about a lover who left her for someone else. The woman was scored, and out for revenge. Jagged Little Pill soon enough started to climb the charts all over the world. Produced by Glen Ballard and apparently recorded in under three weeks, the album was perfect. It was just what everyone needed at this time, and it sold by the truckload. It went on to shift a staggering 17 million copies in America alone! In the UK, it topped the charts through 1995 and 1996 for 21 weeks and sold more than 3 million copies. In Australia at the time, it became only the second album in history to sell more than 1 million copies, breaking all possible records. This pattern was repeated across Europe, Asia and the rest of the known world. Alanis Morissette was a phenomenon, and Jagged Little Pill sold almost 30 million copies worldwide to become the biggest selling album by a female in the history of music.

"Head Over Feet" was the fifth single to be taken from Jagged Little Pill in August 1996. The song peaked at No.7 in the UK sales chart and became Alanis' first Top 10 single. The song was yet another big hit all over world and garnered massive radio airplay from stations across the globe, yet it didn't quite match the success of Alanis' previous two singles, "Ironic" and "You Learn." The song is presented in a similar way to the other songs that were released from Jagged Little Pill in that they open with a guitar and drum section, before Alanis starts singing. The song has three verses and three choruses in typical Alanis style, with a solo section in the middle.

Head Over Feet opens with a very retro guitar that accompanies Alanis' voice as she opens the first verse, "I had no choice but to hear you. You stated your case time and again. I thought about it. You treat me like I'm a princess. I'm not used to liking that. You ask how my day was." This simplistic first verse is simple in the way that the lyrics are normal words and ordinary - a common feature on Jagged Little Pill. Alanis then sings the chorus, "You've already won me over in spite of me. And don't be alarmed if I fall head over feet. And don't be surprised if I love you for all that are. I couldn't help it, it's all your fault!" Alanis then sings the second verse as the song gains momentum with the drums and guitar, "Your love is thick and it swallowed me whole. You're so much braver than I give you credit for. That's not lip service." This is a considerably less shorter verse, which is only half the length of the first. Alanis then moves swiftly into the second chorus.

Alanis then sings what is essentially the second part of the second verse, but after the second chorus! She sings, "You are the bearer of unconditional things. You held your breath and the door for me. Thanks for your patience." She then stops singing and a harmonica solo takes over. The way it is arranged is incredibly catchy and every true Alanis fan such as myself will know each and every note to whistle along to it! Or is that just me? Alanis then sings, "You're the best listener that I've ever met. You're my best friend - best friend with benefits. What took me so long? I've never felt this healthy before. I've never wanted something rational. I am aware now. I am aware now." The drums then strike a few times more when the song is quiet, before the chorus is sing all over again and the song dies out.

Can you believe it? I've never seen the video to Head Over Feet! Infact, I'm not even sure if one was made, but if one was, I sure as Hell would love to see it! This song was a big hit all over the world, not only because of Alanis' staggering popularity at the time, but because it was a song that people could secretly identify with at the same time. When people can relate to music, it usually does exceptionally well, and this was exactly the case with Alanis, Jagged Little Pill and Head Over Feet! Well, that and the fact that JLP is the greatest album of all time!

Yet another great single from "Jagged Little Pill". It's one of her Soft rock hits- certainly one her catchiest tracks. A lot of people think that unlike her other "JLP" tracks, this single doesn't really have the lyrics that mean anything. Anyway, u can have a mind of your own...'Head over feet' is something for 'Ironic' fans! But it doesn't even 'nearly' compare to 'Ironic'. It's addictive due to the catchy tune, the serene music, and the harmonica musical sequences.

Other tracks you'd find in this CD single are the live versions of "You learn", "Hand in my pocket" and "right through you". You learn is a rock hit-very catchy with good vocals from Alanis herself. Hand in my pocket was one of her early hits-also with a harmonica sequence to lighten up the song's angry mood. Right through you is a song that has no video. It's another rock hit that talks about how a person would want someone else just for their money ("now that I'm this thing, now that I'm a zillionaire- you scan the credits for your name and wonder why they're not there!"- Alanis). Overall the whole collection is worth it.

this song is so awesome! she wrote everything about woman's world, and what do we really think about males..well done. RUN AND BUY IT!

After nearly 30 years of collecting music, very little surprises me. Ekova is a rare exception! I bought "Heaven's Dust" on a whim, after listening to 2 or 3 15-second segments at a record store, and absolutely ADORE this CD! If you are fascinated by brilliant musicians who can combine the most eclectic styles (Middle Eastern with Celtic traditional, for example), you will be entranced by Ekova. They are in a class by themselves. My prediction: expect them to receive a major contract for a film soundtrack in the not-too-distant future.

As a matter of fact, I'm listening to it right now. Deirdre Dubois has such a beautiful, rich voice(reminiscent of June Tabor)and the music is fabulous. I especially like tracks 4, 11, and 13. If you like Dead Can Dance/Lisa Gerrard and Vas, you will love "Heaven's Dust".

I was tipped off to Ekova while searching for Middle-eastern influenced music for dance performances. I discovered something that while not entirely suited to dance, is ideal for filling creative headspace. Dierdre Dubois' vocals are unmistakably influenced by Lisa Gerrard's lyrical style. Her agile voice blended with a collage of Western and Middle-eastern musical composition is a true pleasure. Her voice becomes her instrument, and her lyrics are like the language of the soul. This style opens up Ekova's music to the world, removing the language barrier that may keep some people from experimenting with new music.

Arach Khalatbari's percussion is top-notch. As a drummer, I catch myself attempting to pick up threads of his rythyms to incorporate into my own music. I was surprised by "Taksim" (track 11). Medhi Haddab plays this oud solo, which sounds to be in a very traditional style. After the rich layering of sound and beat of the previous ten tracks, it's a refreshing break.

There is an exploration of the existential in Madonna's work now that shows a definitive maturity. I think that the ability that sets Madonna apart the most is not simply being someone who manipulates media well but in truth two things: One, she's not a big fan of TV or indulging in the media, beign a puppet to it in watching it. Two, Marianne Williamson talks about that people who become legends do so because they tap into the concept of what the human consciousness is available to, needing to develop and that rings within all of us. It is that work that interests the rest of us.

I HAVE THIS RECORD, IT ROCKS I DONT PLAY IT NO MORE. ITS FRAMED ON MY ROOM WALL. BUT ITS A MUST HAVE FOR ALL MADONNAS TRUE FANS. BUY IT.....

With the release of her seventh single in the UK, Madonna would finally get her first No.1. The song was Into The Groove and spent four weeks atop the UK singles chart in July 1985. The song has, like many of Madonna's 1980's hits, gone on to become a true classic. The song spent 14 weeks on the chart in the UK and, while not as successful in the US, is loved by most Madonna fans as one of her biggest and catchiest pop hits.

Into The Groove begins with a very bouncy and catchy beat that runs the length of the song. It is more dominant at the beginning of the song becoming more quiet as the song progresses, but it is always there reminding you why you love the song so much and why you never grow tired of hearing it. Madonna then begins her singing with the chorus. This makes a change for usual Madonna songs which begins with the verse, then go onto the chorus. There are a few verses in this song which begin differently, but end the same. The first verse is "Music can be such a revelation, dancing around you feel a sweet sensation. We might be lovers if rhythm's right, I hope this feeling never ends tonight. Only when I'm dancing can I feel this free. At night, I lock the doors where no one else can see. I'm tired of dancing here all by myself, tonight I wanna dance with someone else!" The lyrics are very simple and fun - the type that usually make Madonna's big hits. Examples of this are Material Girl and Like A Virgin. Both were massive hits and have such simple lyrics and joyous melodies that make them become classics. The choruses swing by, as do the verses and a funky piano solo that enhances the quality of the song. The song then gradually fades out leaving the listener with a sense of fulfilment and joy that forces you to press the 'repeat' button on your CD player.

Into The Groove was a massive hit and was taken from Madonna's debut acting performance in the smash hit comedy Desperately Seeking Susan. Therefore, the video to the song features clips of Madonna in the film acting wild, causing a stir amongst whoever she encounters and generally enjoying herself partying at clubs. The video reflects the mood of the song in every way. And for this, we are grateful that Madonna produced such a fantastic song - a true club classic that, even now in its classic status, will continue to capture the hearts and souls of millions who encounter it - just like Madonna does.

As 1989 became 1990, new music arrived from new bands and old bands, and Slaughter proved to be one of the most popular bands of the early 90's. At the beginning of their career, they were #1 on Dial MTV, and even though their second album, "The Wild Life" was a top ten album and featured "Real Love", a hit song/video which, in the music video, featured Shannon Doherty, a then famous actress, it failed to live up to the band's expectations that their first album, "Stick It To Ya" had made for them. Their third abum, "Fear No Evil" is not the best Slaughter album, but it is Slaughter's hardest album-ever. Track one, "Live Like There's No Tommorow" is one of the hardest rock songs I have ever heard, and at the beginning of the song, you hear police officers speaking as dialogue on the song, and for sound effects, you hear both sirens on police cars and police helicoptors. One ballad on here, "It'll Be Alright" is very pretty and sounds a lot like The Beatles, and while you can tell that "Yesterday's Gone" is also Beatles influenced, the song could have been better. The only disappointment on this album. My personal favorite ballad on this album is "Searchin'", and I will never know why this song was never a hit. Both the song and the video are very good. Another good track on this album is "Hard Times", a song which is a step-up from Slaughter's lighter material, and at the beginning of this song, there are replay clips of a bunch of old horror movies, Martin Luther King's "I Have A Dream Speech", Richard Nixon's "I Shall Resign From The Presidency Affective At Noon Tommorow" speech, and a few other things. Here we also have Slaughter's "real" blues song, "Breakdown N' Cry". If you think Aerosmith's blues work sounds good, you should hear Slaughter's blues song. At first it is hard to like, but it grows on you after a few times. Other Blues artists out there should be jealous by the fact that they didn't write this song. There will probably be some people who won't like "Fear No Evil" because of the fact that it is dark, unlike the lighter Slaughter albums. But if you like Slaughter, and you are willing to give new things a try, you should give this album a listen.

This cd is loaded with a bunch of really good tracks. The best part is that there is veriety here, unlike the rest of their stuff. This was always a talented band from day one, but never one to spark a ganre of music. These guys are pure rock. There is a reason that they made it past the early 90's unlike so many of their contemperies. From the opening Live Like There's No Tomorrow, to the bluesy Breakdown n' Cry, to the best Slaughter song of all time (Unknown Destination) Give me the Fear No Evil Album and I'll be happy

This CD finds Slaughter darkening and intensifying their sound for the first time since the "lighter" albums like STICK IT TO YA and WILD LIFE. Although it doesn't come off as strong or as catchy as later release beyond this point, it still shows us the band is headed in the right direction.

There are many great songs on here, including some of the instruments, but there is one instrumental here too many, for my taste anyway. "For Your Dreams" would have been nice if Mark was singing on it and it had one of their patented big choruses mixed in.

It takes a few listens to get into this one, but there are some pretty cool moments on this album. The heaviest song of their career so far is the opening firestarter "Live Like There's No Tomorrow" with its police bulletin opening, thats a cool new trick. Also on "Get Used To It" the band literally gives grunge and alternative the middle finger. These two tracks are prime examples that when they want to, Slaughter can display both power and attitude.

This album proves they are more than just pop-metal posers, and the ballads here are much more honest and real on FEAR NO EVIL than on previous, or even future releases, for the most part. "It'll Be Alright", the instrumental "Prelude", and "Breakdown N' Cry" are prefect examples of thier ever present pop appeal, which there is no shame in having because that what can truly make a band great. It can't all be DIE DIE DIE heavy.

Overall, its not as consistent as REVOLUTION or the aforementioned early 90s releases, but it's the band starting into to new territory, thier first attempt and it proves they are on the right track. Other tracks to note are "Hard Times", the forgotten "Unknown Destination" and "Searchin" are all great classic Slaughter, you just have to dig a little deeper on this release, if you are used to the lighter 1990-1992 work.

The only lackluster tracks other than "For Your Dreams" are an almost good but not quite other ballad "Yesterday's Gone" and a cookie-cutter "Let The Good Times Roll", which comes off very corny and is more suited for Steelheart or Poison of the 80s (and 2002), bands with less talent and charisma.

Pick this one up to complete your Slaughter collection, its so much more than just filler. Money well, well spent. 9/12