Britpop Music

This single is a really great example of SFA at their best. The album track featured on it and the rest of Radiator really took Britpop to an area it's never been before. B-side tracks 2 and 3 go back to the sound SFA had in their debut, Fuzzy Logic. They're light on the electronic ingredients but great sounding Britpop none-the-less. Wrap It Up and Foxy Music are very solid tunes.

If you're a fan of the band and have some extra cash, be sure to pick this one up. Everyone fortunate enough to give them a chance know that the Super Furry Animals are the brightest, most innovative band out of the UK in quite a while.

SFA began their American debut with the Fuzzy Logic, a most inventive album, mixing so many cultures together. Welsh backgrounds give this band a uniqueness only not equaled in any new bands. The International Language of Screaming is an amazing song, and once stores in the states begin selling it, Radiator, their 1997 album, will be one of the best albums of the year!

I ordered both this and Burning Skies - they are the same awful documentary! A total waste of money for any but those who must have everything ever made with Muse's name on it.

I bought this AND Burning Skies, only to discover they are the same identical DVD.

As pointed out elsewhere, the DVDs contain absolutely NO Muse music.

I would like to know whether Muse get any royalties from these DVDs, because their fans are being ripped off. The DVD covers are totally misleading and should state that there is no Muse on these DVDs.

Les.

This is the biggest rip off dvd. Muse never authorized the dvd so there is NO muse music in it, no live footage of the band performing, basically there is nothing in it worth watching, don't waste your money on it.

very good DVD with lots of valuable info on MUSE.if you want to know more about them,buy this DVD.
Definitely worth it buying

I just became aware of Muse and I gobbled everything up including this dog. this quite possibly the worst documentary I have ever seen. This thing is not fit to become a coaster at my house. I purchased this at Fry's who I thought would only carry legitimate product.

If Pulp were a band that the 80's had ignored, then this was the world's wake up call, in shall I say it? Small eruptions. It's a shame it wasn't released in 88 when it was finished, because their record company for some reason just sat on it for 3 years.

First a little history. Pulp just seemed to be the band that had been around, yet only managed to go in circles. Band members came and went, but after their album "Freaks", and it's close resemblance to The Fall or The Cure (well, as close as you can get), and a video for "They suffocate at night", it seemed like Pulp was finished. Or was it? Jarvis escaped to London to take his classes at St. Martin's College for film, and even at some point met the mysterious girl who would provide their mega hit 7-8 years later, but it's a good thing he didn't write "Common People" at that point, because if it was recorded for "Seperations", it would most certainly not have been a hit. Because nobody would hear it for 3 years!! Now, during this time, the rave scene in the UK was going on full swing, as well as the Madchester sound. And wouldn't you know it? Russel & Jarvis attended a few. They zeroed in on what Pulp might have been missing out on. Just music to dance to. Jarvis probably found a few bands to meet that were a bit ecclectic as them as well, such as Saint Ettiene, Pet Shop Boys, etc. Jarvis decided to give Pulp one more go, but he would need a new drummer and bass player. Yet find them he would, and the Pulp we all know was now ready to record!

Now, finally, the album. Seperations starts with "Love is Blind", and it stomps to a marching beat with paranoid screams of Jarvis. But now, he's got his confidence in the lyrics. "Give me the city, give me the sea, give me everything I need. The future is shining, like a bright metal beast, it shines so bright tonight, with it's legs open wide". But yet, still, Jarvis isn't quite as confident as he potrays himself, for he states that this love he has might not work out. "Don't you want me anymore?" also shines with confidence, as a cocky exit out of town, and a return to it as well, but once he's discovered his lover has moved on, this too has Jarvis unsure if he can move on when his former lover already has! "She's dead" is a melancholy song that wouldn't seem out of place as part of Freaks or Masters of the Universe, yet it's sad tale of a dead girl is for your ears. "Seperations" is a song that's a bit hard to describe. It starts with a almost eerie violin coda from Russel that almost might have came from Turkey with it's gypsyish playing, but then the song goes a bit wonky with it's cheap casio bassline from Candida, it plods along in a wobly way supported once again by Russel's violin. "Down by the river", is again, another sad melancholy song, and it's almost like Pulp haven't quite got themselves free from their past, but then again, they wouldn't go this dark until This is Hardcore. "Countdown" is a mediocre attempt at escaping their demons in a disco way, but the misery still shackles. "My Legendary Girlfriend" may seem long, and drawn out, yet it almost has a Jim Morrison quality about it. You can dance to it, and it's definately one of the strong points with the album if you have the patience for it. "Death2" is definately a song for anybody who'se been heartbroken, and it almost resembles Roxy Music's "Dance away", but is more miserable in the circumstances. Yet Jarvis won't let any woman shake him up so badly after this as the silver lining. "This house is condemed" is oddly Russel's only and last song in the Pulp Catalog (And he only had a few anyway), and it moves along nicely to a house beat, but doesn't do much for the listener.

Now, compared to the joyous madchester sound, and a few house/techno acts of this era, Pulp didn't quite fit in yet again, but they were trying. And fans were starting to notice this skinny odd man in thrift store clothing, who was oozing sex in his songs with his shrieks and howls, and even "Legendary girlfriend" got noticed by the NME and went to #36 in the charts! Pulp were definately on the right track, if anything. Too bad their record label Fire didn't care, and left this album in limbo until 1992, when fed up, they left for Gift records to do their 3 ep's that gets collected in "Intro", and eventually their signing to Island, and for greener pastures in "His n Hers". It begs to question, if released when it was susposed to come out, would it have been the right time for Pulp? Or would the Happy Mondays, EMF, Stone Roses, and other dance acts would have just buried them in the UK charts. (Jarvis still wasn't a celebrity in the UK press just yet mind you). Maybe Fire records did Pulp a favor by letting hype build up for them before it was time to capitalise 3 years later. We'll never have those answers, but if you're a casual Pulp fan, or a Ultimate Pulp fan, then get ready for Pulp's cracks in the volcano. For in just a moment, they were to explode. But this album is where the rumbles occur.

I adore this album, though i always skip the track "my legendary girlfriend". I love the violin solos on "don't you want me anymore" and "separations" because they are very haunting, and i enjoy this album for this specific reason. "Death II" makes me feel utterly happy inside, and want to break out and dance. I usually feel like I need to like all songs on an album in order for it to be my favourite from that group, but in this case, these three song do it for me.